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Frank Marshall on Rise & Fall & Rise Again by the Bee Gees in HBO Doc [Podcast] – Deadline

“I’ve always been interested in family dynamics because I come from a musical family,” blockbuster producer Frank Marshall tells us of what prompted him to make the HBO documentary. The Bee Gees: How to mend a broken heart.

“I’ve always been interested in what makes them tick. Until I looked at their careers and backgrounds, I had no idea what an incredible story it was, “says Marshall,” They transcended five decades and, in one way or another. other, they have stuck together over those five decades and have continued to reinvent themselves.

“People see them as lightweights and they really are heavyweights,” adds Marshall, who produced documents such as the 2018 ones. What haunts us and produced Alex Gibney’s feature documentary in 2013 Armstrong’s lie.

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Of the myriad of moments that Marshall explores in How can you mend a broken heart is the success behind Saturday night fever, both the 1977 film, which grossed over $ 237 million and an Oscar nomination for Best Actor for John Travolta, and the soundtrack, which sold 40 million copies on WW, is the second-highest sold behind The bodyguard. It all started when Bee Gees manager Robert Stigwood bought the rights to new York magazine article Tribal rights of the new Saturday night, which served as the inspiration for the film despite the fact that it did not have a script. Stigwood then signed Travolta on a three-picture deal, which would encompass Fat and the romantic drama he did with Lily Tomlin, Moment by moment. Stigwood needed a soundtrack and he turned to the Bee Gees. It was a slam dunk for them when recording at Château d’Hérouville in France, where Elton John also performed his legendary album Honky Castle. The group received a script, but did not read it, instead they returned an audio cassette containing the hit singles of the upcoming uber “Stayin ‘Alive”, “More Than a Woman”, “If I Can’t Have You “”, “How deep is your love” and “The fever of the night”. Stigwood moved ahead of the film, dropping songs ahead of the photo’s theatrical release and leveraging the power of it with Paramount. Initially, the Melrose Ave. should only go out Saturday night fever in 200 theaters across the country, but Stigwood struck a deal that every time the soundtrack scored a single in the top 20 and then in the top 10, the studio would increase the number of theaters accordingly.

Today we speak with Marshall about his streak of success as a producer, how he has maintained a balance between a studio and the desires of a filmmaker, the return of theaters, the future of reboots. Back to the future, Goonies and Who wants the skin of Roger Rabbit?; his next docu-music series Hulu McCartney 3.2.1 and, of course, the new installment of Indiana Jones from director James Mangold.

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